Jake Lever

Green Space Day - Education and the Climate Emergency: reimagining our future together

The climate crisis is the most significant threat to humanity we have ever faced. It is already impacting the lives, economies and neighbourhoods of millions of people globally and it is the defining social justice issue of our time. It is increasingly recognised that schools need to be at the forefront of responding to climate change, both in the way that they model sustainability and develop ‘climate literacy’ across all age ranges.

In my role as Assistant Professor and Subject Lead for Art and Design at Warwick University I have initiated and led ‘Green Space,’ an annual climate education conference for trainee teachers. This year Green Space Day, held on Monday 24th April, attracted 250 international delegates online with presentations by leading practitioners in the field as well as school pupils, including one veteran (aged 11) of COP26. More information and recordings of the presentations can be found  on the Green Space webpage here. 

Gillian Lever
Colour and Landscape

In recent weeks I have started a new series of oil paintings. Birmingham, where I live, is one of the greenest cities in Europe with over 600 publicly accessible parks and I walk in nature every day. In April I spent a week in North Devon where I walked some of its stunning coastal path. I am often influenced by the colours that I see on my walks but also like to work intuitively with colours that resonate with my emotional landscape. 

Earlier this year I saw Jadé Fadojutimi’s exhibition ‘Can we see the colour green because we have a name for it?’ at The Hepworth Wakefield. In the exhibition catalogue interview she talks about colour’s capacity to affect mood or emotional state, something that I myself am fascinated by. 

”I am increasingly aware of my dependence on colour to soothe my emotional spectrum. Colour leaves an imprint on our memory, even just moving around day today, the shifts in your environment can provoke a shift in mood or atmosphere. I’m interested in how the way we register or understand colour is cultivated within us over time; how if you grow up in a desert landscape you’ll have a higher colour sensitivity to browns and yellows compared to someone who was born in a city.”

Jadé Fadojutimi

Gillian Lever

Playing and reality

‘The capacity to still feel wonder is essential to the creative process.’

Donald Woods Winnicott

I have always loved collage. Recently I have been developing my use of the medium, drawing on to collaged compositions with colourful inks. It is a wonderfully loose and playful way to work which takes on a dynamic life of its own. I am currently working with re-cycled paper off cuts and adding free, calligraphic brush work to the pieces. The pieces ‘chop and change’ - random, snippets of collage segueing with hand drawn calligraphic marks. This integrative technique feels fitting for these disorientating times, a way to honestly incorporate breakage and dislocation whilst, at the same time, celebrate flow and regenerative hope. 

Jake Lever

‘The Blue and The Dim and The Gold’

This year for Holy Week St Andrew’s Church, Shifnal will be hosting ‘The Blue and The Dim and The Gold’, a large scale painting I made in 2012.  It shows a lake at sunset, with rippled waters, brooding, forest-clad hillsides, shimmering golden light and a single boat containing a solitary figure.

Revd. Preb Chris Thorpe has prepared some beautiful Holy Week resources using the painting as starting point for his reflections.

Chris has written ‘What is it that brings you to tears? Is there a ”cup” of suffering that you wish could pass from you? Do you feel abandoned or betrayed sometimes? Jesus promised that ”the truth will set you free” (John 8:32), encouraging us to face our fears and worries, to give time to let things surface for us. St John said ”perfect love casts out fear” (1 John 4:18) so we can bring our deepest fears and darkness to the Lord, knowing that we are loved completely. The prophet Isaiah said ”those who wait on the Lord shall renew their strength, they shall rise up on wings as eagles” (Isaiah 40:31). Perhaps this Holy Week can be a time of waiting on the Lord and renewing our strength.’

Chris’s Holy Week resources are available free of charge here.

Over the last 10 years ‘The Blue and the Dim and the Gold’ has toured nationally to a number of venues including the Parabola Arts Centre in Cheltenham, St Luke’s Church in Holloway, All Saints Church in Kings Heath, Birmingham Cathedral, All Saints Church in Warwick, Aston University, Greenbelt Festival and Birmingham Museum and Art Gallery.

Jake Lever 

British Museum - acquisition of a ‘Do the Little Things’ boat for their collection

Back in May 2021, I was invited to create an installation for Coventry Cathedral’s  Chapel of Gethsemane of Do the Little Things boats, this coincided with a spotlight loan from The British Museum called  Crossings: community and refuge. The cross is made from the remnants of a boat which carried refugees that was wrecked near the Italian island of Lampedusa, close to the coast of Tunisia in 2013. It symbolises the plight of refugees across the world.  This particular cross was one of many made by the island’s carpenter, Francesco Tuccio, prompted by the tragic death of 311 migrants when the boat sank. Jill Cook, Keeper, Department of Britain, Europe & Prehistory at the British Museum received the small cross in the post from Tuccio, and it became the final acquisition by the museum before Neil McGregor retired as Director in 2015.  Jill wrote in a blog in 2021 that the crosses “serve as a reminder of all the histories that are lost and of the thousands of people who are not otherwise commemorated, as well as a major moment in world history.” 

 Jill Cook was in the cathedral to oversee the installation of the Lampesuda Cross when she decided to acquire one of the ‘Do the Little Things’ boats for the permanent collection of the British Museum.  The museum have collected objects that reveal how we navigated the Covid-19 pandemic.  She felt that the ‘Do the Little Things’ project, involving the posting of tiny vessels to destinations around the globe, told an important story of the human connection in extraordinary times.  You can see the boat in their online collection here.